{"id":183,"date":"2025-08-02T19:10:10","date_gmt":"2025-08-02T19:10:10","guid":{"rendered":"https:\/\/fundsandfilms.com\/?page_id=183"},"modified":"2025-11-11T19:35:56","modified_gmt":"2025-11-11T19:35:56","slug":"correspondencias-para-habitar-el-mundo","status":"publish","type":"page","link":"https:\/\/fundsandfilms.com\/en\/correspondencias-para-habitar-el-mundo\/","title":{"rendered":"Correspondences to inhabit the world"},"content":{"rendered":"<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"672\" src=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6-1024x672.jpeg\" alt=\"\" class=\"wp-image-184\" style=\"width:890px;height:auto\" srcset=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6-1024x672.jpeg 1024w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6-300x197.jpeg 300w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6-768x504.jpeg 768w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6-1536x1007.jpeg 1536w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/IMG_2469-6.jpeg 1836w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Non-fiction feature film (debut)<\/p>\n\n\n\n<p>Director: Laura Gabay<\/p>\n\n\n\n<p>Producer: Vania Jaikin<\/p>\n\n\n\n<p>Production countries: Switzerland, Uruguay, Spain<\/p>\n\n\n\n<p>Production company: \u00c9cran Mobile<\/p>\n\n\n\n<p>Synopsis: Melania, a young Uruguayan woman, moves to Europe in search of freedom. After a homophobic attack in London, she decides to make a film with her friend Laura, a filmmaker. Through voice recording, they both embark on a journey to heal the pain of trauma. The poetry of Cristina Peri Rossi guides this story of exile, desire, and resistance.<\/p>\n\n\n\n<p>Espacios de desarrollo:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>El\u00edas Querejeta Zine Eskola (Donostia, 2023-2024)<\/li>\n\n\n\n<li>VII Foro ZINEBI Networking (Bilbao, 2024)<\/li>\n\n\n\n<li>Zinegoak Pro (Bilbao, 2025)<\/li>\n\n\n\n<li>Ji.hlava New Visions Forum (Ji.hlava, 2025), Cannes Docs - March\u00e9 du Film Award, selected as 'Spotlighted Project'<\/li>\n<\/ul>\n\n\n\n<p><strong>Biofilmographies<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3.png\" alt=\"\" class=\"wp-image-443 size-full\" srcset=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3.png 800w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3-300x300.png 300w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3-150x150.png 150w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3-768x768.png 768w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/3-12x12.png 12w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Laura Gabay<\/strong><\/p>\n\n\n\n<p>Graduate of HEAD (Geneva) and EICTV (Cuba). She premiered her first feature film, Para No Olvidar, at Visions du R\u00e9el (2023).<\/p>\n<\/div><\/div>\n\n\n\n<p>Her first short film, Enqu\u00eate 62, won the Audience Award at the Filmets International Film Festival. Her second short film, Viento dulce salado, was selected at Visions du R\u00e9el and IDFA, among others. Since 2018, she has worked as a producer and director in the Ecran Mobile collective and has taught Super 8 film workshops at the University of Geneva. Between 2020 and 2022, she produced Carb\u00f3n, Criatura, and Fantasmagor\u00eda, works that stood out at the Winterthur, Locarno, and DocLisboa festivals. She is currently developing her second feature film, supported by EQZE, the 7th ZINEBI Networking Professional Forum, and Zinegoak Pro.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:34% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4.png\" alt=\"\" class=\"wp-image-445 size-full\" srcset=\"https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4.png 800w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4-300x300.png 300w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4-150x150.png 150w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4-768x768.png 768w, https:\/\/fundsandfilms.com\/wp-content\/uploads\/2025\/08\/4-12x12.png 12w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Vania Jaikin <\/strong><br>Producer, director, and film editor of Chilean origin, born in Switzerland.<\/p>\n<\/div><\/div>\n\n\n\n<p>She has been a producer with Hand Made Films since 2007, which became sur Terre in 2019, and also works with Mnemosyn Films. Since 2020, she has been a producer with the \u00c9cran Mobile collective, which produces audiovisual works with a political and critical perspective, co-producing with Latin America.<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Largometraje de no ficci\u00f3n Directora: Laura Gabay Productora: Vania Jaikin Pa\u00edses de producci\u00f3n: Suiza, Uruguay, Espa\u00f1a Empresa: \u00c9cran Mobile Sinopsis: Melania, una joven uruguaya, se instala en Europa buscando libertad. Tras una agresi\u00f3n hom\u00f3foba en Londres, decide hacer una pelicula con su amiga Laura, cineasta. A trav\u00e9s de audios, ambas deciden sanar el dolor del [&hellip;]<\/p>","protected":false},"author":1,"featured_media":171,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-183","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/pages\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/comments?post=183"}],"version-history":[{"count":18,"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/pages\/183\/revisions"}],"predecessor-version":[{"id":500,"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/pages\/183\/revisions\/500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/media\/171"}],"wp:attachment":[{"href":"https:\/\/fundsandfilms.com\/en\/wp-json\/wp\/v2\/media?parent=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}